Last Monday I got a ticket for a concert in the Sydney Opera House. It was the third concert I have visited here in Sydney. The weather was nice and warm, the sun was brightly shining and we had a very good time
with friends. The way from Circular Quay to the Opera House is always very nice and uplifting, but now -because it was really warm, or just the time of the year - you could find a lot of flies or at least they found you, and did not want to let you go. The OZ-flies stick to your clothes, to your face, and you are not able to chase them away.
Like everybody else who lives here, we could tell you a lot about the Opera House. On one hand it almost feels as a kind of kitsch, but on the other hand you only can love it. You know, I can not imagine Sydney without this building. We like it in the sunshine or in the evening in the floodlights. Either nearby or from far away, so from everywhere it is very eye-catching. The only time when it was a little bit disappointing to us, was when we had such a close look, that we could touch it. Then we realised that it is a large monument, built in the sixties and made of concrete and covered with bathroom-tiles.
Arriving at a concert for the first time also makes you a bit
disappointed, when you see that the entrance is under the big stairs. It is dark there, and you can find more concrete inside too. But if you reach the lookout point and the windows, you will have a spectacular view over the city. That is the Sydney we love very very much.
So about the concert…This is my personal experience, and I really do not want to say any bad things about the Opera House. But there is a high risk that you will meet a lot of tourists wearing jeans and T-shirts, sometimes you can see a cyclist as well. It is one of the most famous opera houses in the world, so maybe a lot of people - who generally do not use to go to concerts - go to have a nice experience. Especially, if the program contains a famous work like Vivaldi`s Four Seasons.
The ensemble Europa Galante`s performance was passionate and enjoyable. I do not know why, but every time I was here, I felt that no matter how old and sad the music was, it always seemed very modern and happy in the Sydney Opera House.
The musicians played very well, and maybe it could have been a very nice concert too, but unfortunately it was not. And it happened just because of the public and the Opera House `policy`.
People who do not use to go to concerts clapped their hands when they were not supposed to, and the ensemble had to wait for them, more than what was convenient. But the thing that I really can not understand is why the Opera House ushers let people in when there is a short pause between two pieces. It is evident that they will not find their places in the dark, especially if it is so easy to sit on the wrong seat. This is what happened on Monday too. People coming late started to explain to others that they were sitting on their seats, and it was so annoying and disturbing during the concert.
But of course difficulties continued after the interval. People sitting behind us were chatting too much, too loud sometimes, but I did not believe when they started to sing or lilt the Four Seasons. That was the moment I could not be astonished any more. It was like a real parody and I almost had to laugh about the whole situation.
I think this was only an accident-concert, where also the finale was a bit weird, but hopefully it is not the trend here. Maybe it happened because the ensemble and the public were not enough in harmony.
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